Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | sk |
| Popularity | 4.042 |
Directed By
Juraj Nvota
Ondřej spišák
Crew
Stanislav Štepka
Ivana Kurincová
Juraj Nvota
Ladislav Hubáček
Vladimír Bednár
Ondřej spišák
Pavol Horečný
Matěj Beneš
Peter Mankovecký
Beáta Hegedušová
Ján Grečnár
Mona Hafsahl
Peter Čanecký
Ľubica Malachovská Čekovská
Ján Melkovič
Similar Movies
Hans Teeuwen: Smerige Spelletjes
The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.
Micha Wertheim: Somewhere Else
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
Micha Wertheim: Someone Else
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
Micha Wertheim: Voor Alle Duidelijkheid
Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
Grand Central Murder
Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.
New Faces
New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.
Everybody's Talking About Jamie
Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.
Förorten brinner: Om segregation
Why hate society? Why just think that crime and riots are the only way into the future? Actor Ulf Stenberg and dancer Emil Rosén from "Teater Fryshuset" shapes young lives in this strong and intense performance. We follow three characters with very little faith in the future, who are tormented by poverty and segregation. It is a story of powerlessness and alienation, of hopelessness and distrust of police, government and society. The play is created partly to give young people an increased understanding of the consequences of making the wrong choice, and partly to increase the understanding of what young people's exclusion actually leads to. The play is based on real fate and interviews with guys and girls about their lives.
RNZB: Hansel & Gretel
Inspired by the old-fashioned magic of silent movies and music hall vaudeville, this ballet will transport you to a magical world with large-scale cinematic effects, world premiere choreography by Loughlan Prior and a specially commissioned score by Claire Cowan. This major premiere brings together many of New Zealand’s creative talents to tell a timeless tale for audiences young and old. Royal New Zealand Ballet production of "Hansel & Gretel". This is the dress rehearsal archive recording filmed live on stage at the Opera House, Wellington on 5 November 2019.
Sing Faster: The Stagehands' Ring Cycle
With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is a daunting undertaking for any opera company. Jon Else goes backstage to show this rare event entirely from the point of view of union stagehands at the San Francisco Opera.
Imperfect
A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.
The Seagull
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Sometimes with the One I Love
Emma is performing a monologue about unreturned love, however because of being in her first stable relationship she refuses to perform it the way her director intends.
Beautiful Thing
This 20th anniversary production of Jonathan Harvey's play about two working class teenage boys falling in love on a south east London council estate was captured by Digital Theatre live at the Arts Theatre in London's Leicester Square.